The Bon March (1898), a tripartite homage to the venerable department. daily life found their way into his paintings too (Le Bon March, 1898. On Flix Vallotton: Painter of Disquiet at the Metropolitan Museum of Art. Libraries, Archives, and Museums, and Copyright Watch.įor more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. Flix Vallotton was born into a Vaud family who had settled in Vallorbe in the. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.įor further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S.

It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by 'fair use,' as such term is understood under the United States Copyright Act. (7.9 x 10.1 in.) Edition: Sale: Estimate: Price: Bid Department: Catalogue. The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. , 1893 Medium: woodcut Size: 20 x 25.6 cm.

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Vallotton le bon marché